The Rynox Mystery
A classic Golden Age crime novel, and the first time Philip MacDonald wrote a crime novel without a detective.‘Rynox’ is at that point where one injudicious move, one failure of judgement, one coincidental piece of bad luck will wreck it. So why would anyone send more than a million pounds in one-pound notes to Mr Salisbury of the Naval, Military and Cosmopolitan Assurance Corporation? Who would shoot F.X. Benedik, the senior partner of the firm, through the head in his study? And where is the choleric Mr Marsh, who had an appointment with F.X. on the night of his death? Rynox is on the edge of big things. But the edge of big things is a narrow edge. And narrow edges are slippery . . .Philip MacDonald’s Rynox is an engrossing murder mystery set in the business world, a crime novel without a detective in which murder and big business are inextricably combined. Beginning with the Epilogue and ending with the Prologue, it is a subtle and exciting book by one of the greatest masters of the mystery story.This Detective Club classic includes a rare introduction by author Philip MacDonald himself, never before published in the UK, and also ‘The Wood-for-the-Trees’, the only short story to feature his series detective, Anthony Gethryn.
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âTHE DETECTIVE STORY CLUB is a clearing house for the best detective and mystery stories chosen for you by a select committee of experts. Only the most ingenious crime stories will be published under the THE DETECTIVE STORY CLUB imprint. A special distinguishing stamp appears on the wrapper and title page of every THE DETECTIVE STORY CLUB bookâthe Man with the Gun. Always look for the Man with the Gun when buying a Crime book.â
Wm. Collins Sons & Co. Ltd., 1929
Now the Man with the Gun is back in this series of COLLINS CRIME CLUB reprints, and with him the chance to experience the classic books that influenced the Golden Age of crime fiction.
E. C. BENTLEY ⢠TRENTâS LAST CASE
E. C. BENTLEY ⢠TRENT INTERVENES
E. C. BENTLEY & H. WARNER ALLEN ⢠TRENTâS OWN CASE
ANTHONY BERKELEY ⢠THE WYCHFORD POISONING CASE
ANTHONY BERKELEY ⢠THE SILK STOCKING MURDERS
LYNN BROCK ⢠NIGHTMARE
BERNARD CAPES ⢠THE MYSTERY OF THE SKELETON KEY
AGATHA CHRISTIE ⢠THE MURDER OF ROGER ACKROYD
AGATHA CHRISTIE ⢠THE BIG FOUR
WILKIE COLLINS ⢠THE MOONSTONE
HUGH CONWAY ⢠CALLED BACK
HUGH CONWAY ⢠DARK DAYS
EDMUND CRISPIN ⢠THE CASE OF THE GILDED FLY
FREEMAN WILLS CROFTS ⢠THE CASK
FREEMAN WILLS CROFTS ⢠THE PONSON CASE
FREEMAN WILLS CROFTS ⢠THE PIT-PROP SYNDICATE
FREEMAN WILLS CROFTS ⢠THE GROOTE PARK MURDER
MAURICE DRAKE ⢠THE MYSTERY OF THE MUD FLATS
FRANCIS DURBRIDGE ⢠BEWARE OF JOHNNY WASHINGTON
J. JEFFERSON FARJEON ⢠THE HOUSE OPPOSITE
RUDOLPH FISHER ⢠THE CONJURE-MAN DIES
FRANK FROÃST ⢠THE GRELL MYSTERY
FRANK FROÃST & GEORGE DILNOT ⢠THE CRIME CLUB
ÃMILE GABORIAU ⢠THE BLACKMAILERS
ANNA K. GREEN ⢠THE LEAVENWORTH CASE
DONALD HENDERSON ⢠MR BOWLING BUYS A NEWSPAPER
VERNON LODER ⢠THE MYSTERY AT STOWE
PHILIP MACDONALD ⢠THE RASP
PHILIP MACDONALD ⢠THE NOOSE
PHILIP MACDONALD ⢠MURDER GONE MAD
PHILIP MACDONALD ⢠THE MAZE
NGAIO MARSH ⢠THE NURSING HOME MURDER
G. ROY McRAE ⢠THE PASSING OF MR QUINN
R. A. V. MORRIS ⢠THE LYTTLETON CASE
ARTHUR B. REEVE ⢠THE ADVENTURESS
FRANK RICHARDSON ⢠THE MAYFAIR MYSTERY
R. L. STEVENSON ⢠DR JEKYLL AND MR HYDE
J. V. TURNER ⢠BELOW THE CLOCK
EDGAR WALLACE ⢠THE TERROR
ISRAEL ZANGWILL ⢠THE PERFECT CRIME
FURTHER TITLES IN PREPARATION
COLLINS CRIME CLUB
an imprint of HarperCollinsPublishers Ltd
1 London Bridge Street
London SE1 9GF
First published in Great Britain by W. Collins Sons & Co. Ltd 1930
Published by The Detective Story Club Ltd 1931
Copyright © Estate of Philip MacDonald 1930, 1963
Cover layout design © HarperCollinsPublishers Ltd 2017
A catalogue copy of this book is available from the British Library.
This novel is entirely a work of fiction. The names, characters and incidents portrayed in it are the work of the authorâs imagination. Any resemblance to actual persons, living or dead, events or localities is entirely coincidental.
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Source ISBN: 9780008248994
Ebook Edition © November 2017 ISBN: 9780008249007
Version: 2017-10-30
Contents
I WONDER how many professional storytellers can look back on their own early work with true objectivity. If there are any, I envy them. Because I know I canât. I always fall into the egocentric trap of disliking mine far too much; of feeling (as was once said of a friend of mine who was forever working on the great American novel and never finishing the first chapter) that âit isnât good enough for me to have written.â
The only time Iâm ever halfway satisfied with any work Iâve done is for a short while after Iâve finished it; a depressingly short and evanescent while. A week later any satisfaction with my labours is beginning to fade. In a month I am more than dubious. After a year, Iâm convinced the whole thing smells to high heaven, and I canât imagine why anyone would ever trouble to read it.
But I realize that these are conditioned reflexes, and auto-conditioned at that, so I made up my mind to ignore them as I approached the task of going over the three books in this collection. But I still started on the job with trepidation; because (to be euphemistic) the tales were written some time ago
