Undressing Emmanuelle: A memoir

Undressing Emmanuelle: A memoir
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The candid and heartbreakingly honest memoir of Sylvia Kristel, the cinema icon of the 1970s who played the lead role in the worldwide sensation erotic Emmanuelle films.1974: After a year of wrangling with the censors, the erotic film, Emmanuelle, is a blockbuster sensation on release in France and a box office triumph around the world from Japan to the States. The image that adorned cinemas across the world was of an unknown 20 year old posing naked, innocent and vulnerable on a wicker chair. Overnight Sylvia Kristel was propelled into international superstardom (at the height of her fame she was invited to address the Brazilian parliament) and turned into an icon of sexual liberation.Sylvia Kristel was born of a dysfunctional family and an impossibly strict religious education. But having won the Miss TV Europe competition in 1973 she was driven by her own ambition to be an actress on the world stage and auditioned for the part of the innocent seductress in Emmanuelle. Through the phenomenal success of the three Emmanuelle films she starred in, she became the darling of Hollywood, as she seduced and was seduced by the rich and the beautiful of the golden age of cinema. But she found herself typecast as Emmanuelle and often played roles that capitalized upon that image, most notably starring in an adaptation of ‘Lady Chatterly's Lover’, and a nudity-filled biopic of World War I spy, Mata Hari, in which she played the title role. Almost inevitably she became the victim of her own innocence as it was Emmanuelle people wanted, not Sylvia. The price that she paid for her meteoric rise was an equally rapid descent into an excess of alcohol and drugs as her tempestuous family life threatened to fall apart all together.Naked, candid and heart-breakingly honest, ‘Undressing Emmanuelle’ tells the story of one of Europe's most celebrated cinema icons and the price she paid for her beauty and innocence.

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UNDRESSING EMMANUELLE

A memoir

SYLVIA KRISTEL

with

JEAN ARCELIN


For Arthur

Hôtel du Commerce (Private Collection)
Grandmother Kristel (Private Collection)
Uncle Hans (Private Collection)
Aunt Mary (Private Collection)
Reading Donald Duck (Private Collection)
Parents (Private Collection)
Mrs Kristel (Private Collection)
Miss TV Europe Competion (Getty Images, Ian Showell/Stringer)
Hugo Claus (Paul Huf/MAI)
From Emmanuelle (Getty Images/J. Cuinieres)
Jeanne Colletin (The Kobal Collection)
Marika Green (The Kobal Collection)
Sylvia Kristel (Corbis/ Francis Giacobetti)
Cannes Film Festival (AP/Empics)
Ian McShane (Corbis/Christian Simonpietri)
Sylvia Kristel (Corbis/Christian Simonpietri)
Gérard Depardieu (Corbis/Christian Simonpietri)
Eric Brown (The Kobal Collection)
Nicholas Clay (The Kobal Collection)
Sylvia Kristel (Corbis/Micheline Pelletier/Sygma)
Sylvia Kristel (Corbis/Micheline Pelletier)
Freddy de Vree (Private Collection)
Karlovy Vary Film Festival (Private Collection)
Arthur Claus (Erwin Olaf)

Contents

Title PageDedicationList of IllustrationsChapter OneChapter TwoChapter ThreeChapter FourChapter FiveChapter SixChapter SevenChapter EightChapter NineChapter TenChapter ElevenChapter TwelveChapter ThirteenChapter FourteenChapter FifteenChapter SixteenChapter SeventeenChapter EighteenChapter NineteenChapter TwentyChapter Twenty OneChapter Twenty TwoChapter Twenty ThreeChapter Twenty FourChapter Twenty FiveChapter Twenty SixChapter Twenty SevenChapter Twenty EightChapter Twenty NineChapter ThirtyChapter Thirty OneChapter Thirty TwoChapter Thirty ThreeChapter Thirty FourChapter Thirty FiveChapter Thirty SixChapter Thirty SevenChapter Thirty EightChapter Thirty NineChapter FortyChapter Forty OneChapter Forty TwoChapter Forty ThreeChapter Forty FourChapter Forty FiveChapter Forty SixChapter Forty SevenChapter Forty EightChapter Forty NineChapter FiftyChapter Fifty OneChapter Fifty TwoChapter Fifty ThreeChapter Fifty FourChapter Fifty FiveChapter Fifty SixChapter Fifty SevenChapter Fifty EightChapter Fifty NineChapter SixtyChapter Sixty OneChapter Sixty TwoChapter Sixty ThreeChapter Sixty FourChapter Sixty FiveChapter Sixty SixChapter Sixty SevenChapter Sixty EightChapter Sixty NineChapter SeventyChapter Seventy OneChapter Seventy TwoChapter Seventy ThreeChapter Seventy FourChapter Seventy FiveChapter Seventy SixChapter Seventy SevenChapter Seventy EightChapter Seventy NineChapter EightyChapter Eighty OneChapter Eighty TwoChapter Eighty ThreeChapter Eighty FourChapter Eighty FiveChapter Eighty SixChapter Eighty SevenChapter Eighty EightChapter Eighty NineCopyrightAbout the Publisher

1

Amsterdam, 2005

Bessel Kok is a major businessman. It shows: he has presence, composure, style and a keen eye. He’s a chess fanatic like my father, and a connoisseur of fine flesh and lovely women. His wife is young and ravishing, he has the pot belly of a gourmand, and his dream is to become President of the World Chess Federation.

He is also generous and – as luck would have it – a nostalgic fan and kind patron of little old me! I met him a few years ago at a smart dinner after a private view. He kindly invited me to the Karlovy Vary Film Festival in the Czech Republic, of which he was a sponsor. Bessel has become a thoughtful and protective friend.

This summer he offered to subsidise me.

‘Why?’

‘I will provide you with financial support for a few months, so you can devote yourself to your own project.’

‘What kind of project?’

‘A book.’

‘A book?’

‘The story of an ageing Dutchwoman, a former goddess of love, in fragile health and living in a tiny apartment …’ He laughed, adding: ‘Give it some thought …’

*

The sun was shining brightly on the Amsterdam canals, and life was cutting me some slack. My mind roamed freely in my convalescing body – I had time to live, to think. My pale skin soaked up the sun, turning more golden by the day and slowly showing up a scar on my left arm. Four white spots came gradually into relief, each smaller than the last.

‘Give it some thought …’ Bessel’s words kept running through my mind, refusing to fade.

I couldn’t take my eyes off this scar of mine. So old. Forgotten. Four spots, like a secret code, the code of my childhood, of my life perhaps. A code I had never tested.

But now I had to; it was time.

I phoned Bessel in the middle of that hot summer and announced: ‘I’m going to test the code.’

‘What?’

‘I’ve been frightened that I’d forgotten everything, on purpose or because I had to, but now it’s all coming back, the words are on the tip of my tongue …’

‘I can’t understand what you’re saying.’



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