Hell Or High Water
Книга "Hell Or High Water", авторами которой являются Литагент HarperCollins EUR}, Anne Mather, представляет собой захватывающую работу в жанре Современная зарубежная литература. В этом произведении автор рассказывает увлекательную историю, которая не оставит равнодушными читателей.
Автор мастерски воссоздает атмосферу напряженности и интриги, погружая читателя в мир загадок и тайн, который скрывается за хрупкой поверхностью обыденности. С прекрасным чувством языка и виртуозностью сюжетного развития, Литагент HarperCollins EUR позволяет читателю погрузиться в сложные эмоциональные переживания героев и проникнуться их судьбами. EUR настолько живо и точно передает неповторимые нюансы человеческой психологии, что каждая страница книги становится путешествием в глубины человеческой души.
"Hell Or High Water" - это не только захватывающая история, но и искусство, проникнутое глубокими мыслями и философскими размышлениями. Это произведение призвано вызвать у читателя эмоциональные отклики, задуматься о важных жизненных вопросах и открыть новые горизонты восприятия мира.
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Mills & Boon is proud to present a fabulous collection of fantastic novels by bestselling, much loved author
ANNE MATHER
Anne has a stellar record of achievement within the
publishing industry, having written over one hundred and sixty books, with worldwide sales of more than forty-eight MILLION copies in multiple languages.
This amazing collection of classic stories offers a chance
for readers to recapture the pleasure Anne’s powerful, passionate writing has given.
We are sure you will love them all!
I’ve always wanted to write—which is not to say I’ve always wanted to be a professional writer. On the contrary, for years I only wrote for my own pleasure and it wasn’t until my husband suggested sending one of my stories to a publisher that we put several publishers’ names into a hat and pulled one out. The rest, as they say, is history. And now, one hundred and sixty-two books later, I’m literally—excuse the pun—staggered by what’s happened.
I had written all through my infant and junior years and on into my teens, the stories changing from children’s adventures to torrid gypsy passions. My mother used to gather these manuscripts up from time to time, when my bedroom became too untidy, and dispose of them! In those days, I used not to finish any of the stories and Caroline, my first published novel, was the first I’d ever completed. I was newly married then and my daughter was just a baby, and it was quite a job juggling my household chores and scribbling away in exercise books every chance I got. Not very professional, as you can imagine, but that’s the way it was.
These days, I have a bit more time to devote to my work, but that first love of writing has never changed. I can’t imagine not having a current book on the typewriter—yes, it’s my husband who transcribes everything on to the computer. He’s my partner in both life and work and I depend on his good sense more than I care to admit.
We have two grown-up children, a son and a daughter, and two almost grown-up grandchildren, Abi and Ben. My e-mail address is [email protected] and I’d be happy to hear from any of my wonderful readers.
Table of Contents
THE apartment was silent except for the clatter of the typewriter, when the doorbell rang. It was a frustrating intrusion into the mood of the narrative, and the man seated at the machine stopped typing abruptly to rest his balled fists on the desk. Then, stilling the impulse to tear up the ruined page of the manuscript, he rose to go and answer it, a second peal grating in his ears as he crossed the floor. He was not in the mood for casual callers, and friends of long acquaintance knew better than to interrupt him at a time like this, but his suspicions as to who it might be were realised when he opened the door.
‘Jarret! The reluctantly-ageing blonde who crossed the threshold without waiting for his invitation caressed his cheek with an elegantly-gloved hand. ‘Mmmm, you haven’t shaved this morning, darling. But I love you anyway, rough or smooth!’
The sensuous tones of the woman’s voice had little effect on their recipient. With the grimness of impatience tightening his lean features, he leaned against the door frame, making no move to close it, and his feminine visitor allowed a slightly nervous trill of laughter to escape from her lips.
‘Darling, don’t stand there looking at me as if I wasn’t welcome …’
‘You’re not!’ he retorted.
‘… particularly when I came here with some rather exciting news for you.’
There was a controlled expellation of breath, and then he said flatly: ‘I’m not ready for this, Margot. As you can see, I’m working …’ he waved a careless hand towards the desk, ‘and I’d like you to go as soon as possible.’
‘Oh, we are a sourpuss today, aren’t we?’ she teased, showing no immediate inclination to obey him. Instead, she descended the two steps that separated the body of the apartment from the entrance on perilously high heels, and did a deliberate pirouette beside his desk. ‘What’s thematter?’ she asked, puckering her lips, gloved fingers flicking the pages beside the typewriter without interest. ‘Did we have a heavy night last night, or did we just get out of bed the wrong side this morning?’
‘Get out of here, Margot!’
The demand was made almost mildly, a narrow-eyed mask guarding his expression, and she chose not to respond to it.
‘Don’t be so grumpy, Jarret,’ she pouted. ‘Aren’t you even going to offer me a drink? The traffic in Knights-bridge was terrible, and I’m simply dying for something long and cool and satisfying. Just like you, darling.’
‘I warn you, Margot …’
The quietly threatening tone at last got through to her, and with a gesture of offence she tilted her chin. With the lines of her throat ironed out by the attitude, it was one of her best poses, and she knew it, but Jarret felt the tightness of repulsion in his stomach as he surveyed the deliberate come-on.
